Pauline Kael won the National Book Award for her film criticism in 1974. I replaced it with For Keeps: 30 Years at the Movies. The film critic for The New Yorker from 1968 to 1991, she is the author of more than a dozen books on the movies. The abundance is from the book; the quality of feeling is Coppola’s. Pauline Kael wrote the book on Citizen Kane, but what if her main findings weren't valid?. *FREE* shipping on eligible orders. During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. Believe it or not, there was a time when film critics were widely discussed and debated, none more so than Pauline Kael during her long tenure at The New Yorker. I've been on a bit of a Pauline Kael kick lately, seeing the documentary What She Said: The Art of Pauline Kael and then reading Pauline Kael: A Life in the Dark and now this book, which is a collection of reviews and essays covering her entire career, including "Movies, The Desperate Art," which was one of her first pieces on film (though not one of her better-written ones). Updates, 10/28: Frank Rich goes long for the NYT Book Review, and here's how he begins: "In his introduction to The Age of Movies, the Library of America anthology canonizing Pauline Kael, Sanford Schwartz writes that she was 'undoubtedly the most fervently read American critic of any art' during her two-­decade tenure at The New Yorker. A master film critic at her witty, exhilarating, and opinionated best in a career-spanning collection—the first new selection in more than a generation "Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." Cart All. Pauline Kael is the guest on this episode of the Writer's Workshop, filmed at the University of South Carolina on Feb. 11, 1982, and broadcast on PBS. This led to her writing her first collection of reviews titled I Lost It at the Movies (1965), which was a surprise bestseller, selling over 150 thousand paperback copies. That's not hyperbole. What I like about this biography is the way it humanizes Pauline. I had put her on such a pedestal. She was one of the most influential American film critics of her era. At that time, the book was no longer in print. Features The Great Performances of 2020. Rob Garver’s valuable documentary will serve… In 1980, upon the publication of her New Yorker colleague Pauline Kael's collection When the Lights Go Down, ... "Reckless Disregard is the best book about American journalism of our time." Equal parts essayist, crusader and provocateur, she famously championed emerging talents and held them to account when they disappointed her. The shrewdest thing to say about Pauline Kael – beyond recognising that she was essential – is that she was kind of crazy. She is often regarded as the most influential American film critic of her day and made a lasting impression on other major critics Herself (archive footage) Blog Posts. She was known for her "witty, biting, highly opinionated, and sharply focused" movie reviews. When you're writing about the process behind the scenes of a film, it's important to only state the facts and not editorialize too much. Pauline Kael movie reviews & film summaries | Roger Ebert. Prime. The infamous film critic Pauline Kael's top rated films as of the time of her demise in 2001. Hooked: Film Writings, 1985–88 (1989) is the ninth collection of movie reviews by the critic Pauline Kael, covering the period from July 1985 to June 1988. Hello, Sign in. Her book Gone: The Last Days of The New Yorker (1999) described what she saw as the magazine's decline in the 1980s and 1990s. The Citizen Kane Book: Kael, Pauline: 9780879100162: Books - Amazon.ca. Account & Lists Account Returns & Orders. Movies That Pauline Kael Really Liked by edshu33 | created - 30 Jan 2013 | updated - 30 Jan 2013 | Public Favorite films of one of the finest critics ever. Kiss Kiss Bang Bang 2 Reviews. Hello Select your address All. Books By Pauline Kael All ... and opinionated best in a career-spanning collection—the first new selection in more than a generation "Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." For a more extended discussion, see Pauline Kael's book Kiss Kiss Bang Bang. She approached movies emotionally, with a strongly colloquial writing style. ‎ “A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.” — Los Angeles Times “Engrossing and thoroughly researched.” — Entertainment Weekly • A New Yor… A well-written book about a wonderful writer I devoured Pauline Kael's New Yorker movie reviews for years. Child's Play US (1972): Drama 100 min, Rated PG, Color ... One of Orson Welles' best and least-seen movies. Bibliographic information. Sign In Trending New Popular type to search . Refine See titles to watch instantly, titles you haven't rated, etc. Yet determined to seem rational or in control. Try. Pauline Kael was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." The beginning is set late in the summer of 1945; the film’s roots, however, are in the gangster films of the early thirties. Kiss Kiss Bang Bang [Kael, Pauline] on Amazon.com.au. Many times, her reviews were more entertaining than the films themselves. Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews Cast and Crew Pauline Kael Find on IMDB. Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Deeper into Movies: Kael, Pauline: Amazon.sg: Books Skip to main content.sg. Favorite Films of Pauline Kael show list info. Pauline Kael. by Pauline Kael. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Pauline Kael: S, Linfield: Amazon.sg: Books Skip to main content.sg. Going Steady: Film Writings 1968–1969 is the third collection of film reviews by the critic Pauline Kael, comprising the years 1968–1969, when she first began her film-reviewing duties at The New Yorker and which covers, " a crucial period of social and aesthetic change at the end of the sixties.". Pauline Kael continued to juggle writing criticisms with other work to make ends meet until she was given a chance to publish a book of her criticism. Travel Movies Books Food Other. Sign In. All. Dutton, 1994 - Reference - 1291 pages. Reviews. What She Said: The Art of Pauline Kael (2019) Nell Minow . [1] All articles in the book originally appeared in … Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. Believe it or not, my dog chewed up my copy. I read my copy of these witty, often hilarious reviews by Pauline Kael until my book fell apart. ‎ “A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.” — Los Angeles Times “Engrossing and thoroughly researched.” — Entertainment Weekly • A New Yor… Find on Wikipedia. It also was not in print at that time. Hello, Sign in. 9/10 This is my first experience with Pauline Kael, but very early into this book I realized statements of her being the greatest film critic weren't overblown--this collection of writings, penned in the late 60's, is every bit as relevant to the modern film industry (purportedly much changed in the past 50 years) as it was to the film scene Kael was covering. Skip to main content.ca Hello, Sign in. Make a List Browse Lists Search Lists Leaders Help / Contact Newsletter. At her best, Pauline Kael was everything a film critic should be: passionate, knowledgable, in love with the movies and writing about them, willing to defend her reviews, and vicious. And That’s the Problem.” (And probably a few more pieces —“Why Renata Adler’s Takedown of Pauline Kael Is Less Important Than You Think,” etc.) Account & Lists Account Returns & Orders. Infamous film critic Pauline Kael wrote the book was no longer in print Keeps 30. 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