Journal of Urban Affairs 31(4): 461-90. Alan E. Steinweis and Robert D. Rachlin, eds., The Law in Nazi Germany: Ideology, Opportunism, and the Perversion of Justice; Kim C. Priemel and Alexa Stiller, Reassessing the Nuremberg Military Tribunals: Transitional Justice, Trial Narratives, and Historiography Julia Christensen 154. Pope.L & Dieter Roelstraete 143. Her book examines the reverse of this fantasy. She has been featured on outlets including The Vocal Fries podcast and Outside the Lines with Rap Genius, discussing topics such as linguistic discrimination, rappers’ linguistic styles, and the history of the word lit. Julia Gibbs 773.702.1118 jgibbs@uchicago.edu. He also holds a master’s degree in engineering from the École des Mines d’Alès and has previously worked as a consultant and project manager in Paris and London. Her recent paper in the Journal of Linguistic Anthropology, “Ideophone Humor: The Enregisterment of a Stereotype and Its Inversion” (2020), discusses how Naso women mock the stereotype of the Naso rube character for social and political commentary. 773.702.2787, CalendarTicketsGrantsE-news Sign-upMake a GiftContactApply, Arts + Public LifeArts, Science & Culture InitiativeGray Center for Arts and InquiryHack Arts Lab (HAL)Logan Center for the ArtsPublic Art on Campus, ContempoCourt TheatreThe Renaissance SocietyRockefeller Memorial ChapelSmart Museum of ArtUniversity of Chicago Presents, Cinema and Media StudiesCommittee on Creative WritingCommittee on Theater and Performance StudiesDepartment of Art HistoryDepartment of MusicDepartment of Visual ArtsMaster of Arts Program in the HumanitiesProgram in Poetry and PoeticsGrants & Funding Opportunities, Arts PassChicago ReviewDepartment of Music Performance ProgramsInternational HouseStudent Arts Groups (CLI)Student Community Groups (UCSC)TAPS Student Performing GroupsUChicago Careers in Journalism, Arts, and Media (UCIJAM), Chicago Center for Contemporary CompositionCourt Theatre's Center for Classic TheatreDOVA-OPCFilm Studies CenterFranke Institute for the HumanitiesNeubauer Collegium for Culture and SocietyThe Oriental InstitutePlace LabSTAGE (Scientists, Technologists, and Artists Generating Exploration)The Writer's Studio (Graham School)The University of Chicago Library, Take Care with Art After Dark: Making a Scroll, Sound Samplers: Sound Fantastic – Workshop 1 Part 1, Committee on Theater and Performance Studies, UChicago Careers in Journalism, Arts, and Media (UCIJAM), Chicago Center for Contemporary Composition, Court Theatre's Center for Classic Theatre, Neubauer Collegium for Culture and Society, STAGE (Scientists, Technologists, and Artists Generating Exploration). Johnson holds a PhD in English from the University of California, Berkeley. His major publications include Uncovering Heian Japan: An Archaeology of Sensation and Inscription (Duke University Press, 2000), a study of the formation of media networks that connected the Heian court of Japan (AD 794–1183) to other quasi-dynastic political communities across Korea and China, and Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics (University of Michigan Center for Japanese Studies, 2005), which explores the relation between the emergence of global cinema and the “racial solution” of imperial nationalism. He is currently developing a new argument that failing to obey a grammatical requirement imposed by a particular word—which would normally result in an ungrammatical sentence—can actually yield a well-formed output if a larger phrase containing that word subsequently undergoes a syntactically triggered process of ellipsis (deletion). Department of Visual Arts Division of the Humanities. He received a master’s degree in comparative literature from l’Université Sorbonne Nouvelle Paris 3. She also recently coauthored a piece with UChicago deputy dean and psychology professor Katherine D. Kinzler in the Los Angeles Times. His current research explores questions of identity and alterity in post-2011 fiction from Morocco, Algeria, and Tunisia. Julie Phillips is a Nurse Practitioner Specialist in Chicago, Illinois. Drawing on the work of theorists such as Luce Irigaray, Julia Kristeva, and Judith Butler, we will explore what strategies these writers employ to depict an entity understood to be unrepresentable. Leslie Hewitt 151. Director. Julia Phillips Provost’s Postgraduate Fellow, Visual Arts. She is also interested in the multilingual expressions and experiences of Latinx and queer identities. Helen Molesworth 150. A Fulbright fellow, Julia has written for The New York Times, The Atlantic, and The Paris Review.She lives in Brooklyn. Jessica Stockholder She is particularly interested in nonfiction writers’ experimentation with nontraditional essay structure. As a scholar of racial performativity, Post studies the ways that embodiment can forward or subvert identitarian belonging or dis-belonging. She examines how these events shape Caribbean literary and visual works, with an emphasis on how gender and sexuality structure race, labor, and capital. King’s research examines the relationship between race, place, and language, studying cross-regional variation in African Americans’ identity and speech. Modern history teaches otherwise. Azeb’s writing on sport and politics, and African, African diasporic, and Afro-Arab arts, politics, and cultures, has appeared in the Chimurenga Chronic and on the media blog Africa Is a Country. Her current book project, “Another Country: Constellations of Blackness in Afro-Arab Cultural Expression,”examines transnational and translational Black literature, narrative, festival, and music to reveal how varying conceptions of Blackness and Black racial, cultural, and political identity are imagined, articulated, and mobilized from their origins in the often tense encounters between Black writers, musicians, activists, and intellectuals from the Americas, Africa, and Europe, and Arabic- or French-speaking North Africans in Egypt, Algeria, and France. Julia Phillips was born and raised in Hamburg and is the citizen of Germany and the United States. Through the late nineteenth and early twentieth centuries, Parsard traces informal relations of wage earning and the concomitant development of a literary and visual repertoire of figures by which West Indians and Britons registered and thought about these relations. Julia Phillips Assistant Professor, Department of Visual Arts juliaphillips@uchicago.edu. Miye Nadya Tom, Julia Suárez-Krabbe, and Trinidad Caballero Castro Pedagogy of Absence, Conflict, and Emergence: Contributions to the Decolonization of Education from the Native American, Afro-Portuguese, and Romani Experiences, Comparative Education Review 61, no.S1 S1 (Mar 2017): S121-S145. Glazed ceramics, metal structure, granite tiles, slip cast ceramic microphone mesh, Crossing the Saharan Boundary: Lotus and the Legibility of Africanness, Uncovering Heian Japan: An Archaeology of Sensation and Inscription, Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics, The Anime Machine: A Media Theory of Animation. dova@uchicago.edu. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. Besides his academic work, Lyamlahy has published a novel, Un Roman Étranger  (Présence Africaine, 2017), and is a regular contributor to literary magazines in France and the United States. Azeb identifies, explores, and reimagines the mutual mistranslations that emerged within these social, cultural, and political moments of relation through the framework of the “Afro-Arab”: a racial identity, diasporic community, transnational space, and political project articulated through the overlapping cultural practices made possible through the encounters of Black and Arab peoples, cultures, and languages. Julia Phillips was born and raised in Hamburg, Germany. Julia Phillips 144. Manager, Film and Technical Operations In addition to video and works on paper, Phillips works primarily with ceramics and metal, creating sculptures reminiscent of functional objects that relate to the human body. Read Bio Parsard’s book project, “An Illicit Wage: Economies of Sex and the Family after West Indian Emancipation,” explores informal economies in the century after British West Indian emancipation and the start of West Indian indenture. She received her PhD in American Studies and Ethnicity from the University of Southern California and was previously a Provost’s Postdoctoral Fellow at New York University. 915 E 60th St. Julia Phillips, Producer: The Sting. Drawing from canonical literary and narrative writings and adjacent forms of cultural expression by figures including Claude McKay, James Baldwin, Frantz Fanon, and Ali Hassan Kuban, “Another Country” traces the North African presence in Black transnational political and cultural work informed by Non-Alignment, pan-Africanism, pan-Arabism, and Third Worldism. She holds a PhD in American studies and African American studies, with a certificate in women’s, gender, and sexuality studies, from Yale University. She also collaborated on the project Room with artist Marisa Williamson at Cleveland’s SPACES gallery (May–July 2019). She researches how resistance practices and flight from enslavement by Black and Native individuals in the Caribbean and North America shaped textual and visual production in the colonial period. 75 Reunion June 2,3,4 1995. Colonial administrators and observers hoped that wage relations would train Black West Indians not only to be responsible for their affairs but also to form nuclear families. UChicago's Division of the Humanities welcomes six new faculty members and nine new Provost's Postdoctoral Fellows this fall. Skip to internal navigation, Department of Visual Arts (DOVA) These exceptional scholars bring fresh perspectives and excellent scholarship to the University. Her next upcoming shows are the New Museum Triennial and her first institutional solo exhibition, at MoMA PS1 titled ‘Failure Detection’. Julia Phillips , Assistant Professor, Department of Visual Arts . tableau@uchicago.edu Julia Phillips made history in Hollywood by becoming the first woman to win the Best Picture Oscar for producing the classic The Sting (1973), along with husband and producing partner Michael Phillips and Tony Bill. In addition to monographs focused on specific sociohistorical contexts, he has sustained a strong profile in media theory and philosophy, publishing substantial theoretical essays and introducing the work of important philosophers and media theorists, both French and Japanese. She joined UChicago in 2018 as a Provost’s Postdoctoral Fellow after completing a joint PhD in African American studies and American studies at Yale University. She was awarded the National Science Foundation’s Graduate Research Fellowship and obtained her MA and PhD in linguistics from Stanford University. The work-family support roles of child care providers across settings. For his next research project, Zyman will be developing a novel definition of the fundamental syntactic operation Merge (which takes two words or phrases and combines them to form a larger phrase)—one that preserves the theoretical and empirical successes of previous definitions of Merge while overcoming some of their drawbacks. She is a regular contributor to the Funambulist magazine. Join Facebook to connect with Julia Phillips and others you may know. Julia Phillips, assistant professor in Visual Arts, primarily works with ceramics and metal, creating pieces reminiscent of functional objects. Prior to attending Stanford, she received her BA from the University of Rochester, where she majored in linguistics and minored in American Sign Language. He was previously a professor at McGill University. 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